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Review: When We Have Sufficiently Tortured Each Other, The National Theatre
Before the lights descended tonight, a ton of people excitedly looked the auditorium up and down as if hoping Cate Blanchett would fly out of the Dorfman’s cei...
gender
2.0
Producing the Maiden Speech Festival: Making Space For Change
Producer, Lexi Clare writes about why we accept harmful discrimination, the 'openness' of theatre and how she is hoping to make change with Maiden Speech Festiv...
Review: Bullish, Camden People’s Theatre
Bullish uses the story of Asterion, the Minotaur of Greek mythology, to examine the “sticky and joyous complexities of gender identity, and in particular the fl...
Review: Man Up! Camden People’s Theatre
‘(Don’t) Objectify Me!’ For the Come As You Are festival at the Camden People’s Theatre, Camilla Harding and Alexandra Sinclair rework and perform their sel...
Blog: Why Shakespeare’s male characters should be for anyone to “get their mitts on” – regardless of gender
Won’t someone please think of the men? Why one AYT critic took issue with the Telegraph’s Dominic Cavendish’s plea for women to steer clear of Shakespeare’s mal...
Blog: What’s going on with men, power, work and politics?
Ahead of their last tour date, Alister Lownie looks at the themes of power and the politically complex commentary on England’s working men tackled in Two Destin...