4.0
Review: Pauline, Pleasance Theatre
TW: suicide mention. We were already on this planet when our grandmother was pregnant with our mother. That is the statement with which Sophie Bentinck star...
Off West End
4.0
4.0
Review: How to Hug, The Vaults/Frumpish Theatre
In St James’ park, almost a year ago, I reviewed a version of How to Hug where the pandemic was easing into a summer lul. I could not have imagined that follow...
4.0
Review: Hushaby Mountain, Hope Mill theatre/Stream.Theatre
The initial artwork for Johnathan Harvey’s Hushaby Mountain hints at the Angels in America aesthetic and the content resembles a British reflection of such a s...
5.0
Review: After Life, The National Theatre
It feels like only yesterday that I wrote of “the
National Theatre’s triumphant return” with Death of England: Delroy,
performed in the wake of the first lockd...
3.0
Review: Godot is a Woman, Pleasance Theatre
It is 2021 and the company of Silent Faces are still
waiting for Godot. But there is just a tiny problem – they are not men. Josie
Underwood, Jake Wakely and C...
4.0
Review: Boy Out The City, The Turbine Theatre
A work-in-progress reading of Boy Out The City, a one man show
written and performed by Declan Bennett, was the mid-week instalment of Rally
Fest; a week-long ...