2.0
Review: When We Have Sufficiently Tortured Each Other, The National Theatre
Before the lights descended tonight, a ton of people excitedly looked the auditorium up and down as if hoping Cate Blanchett would fly out of the Dorfman’s cei...
Samuel Sims
2.0
Review: Half Breed, Soho Theatre
Half Breed is for anyone that has ever felt ‘other’. It’s exhausting, breakneck and revitalising; a show and a performer that don’t stop for breath until the me...
Review: The Inheritance, Young Vic
A production almost completely dominated by men (the only woman, Vanessa Redgrave makes a brief if emotionally charged appearance near the end), The Inheritance...
Review: Beginning, Ambassador’s Theatre
Should we feel bad for occasionally preferring to exist in the space called cyber? Is it so awful to be able to communicate more coherently - more confidently t...
Review: Girl From The North Country, Noel Coward
With many jukebox musicals that have plonked themselves noisily in London’s theatreland, it’s usually helpful and ultimately more enjoyable to be familiar with ...
Review: Hamilton, Victoria Palace Theatre
It’s useful to go into a show like Hamilton with a fresh mind and a ‘hey, I’ve lived under a rock for the last three years’ mentality. Somehow I managed to avoi...
Samuel Sims
Managing Editor
Sam is Managing Editor of A Younger Theatre. He hails from Hull, 2017's City of Culture (WOO!) and is currently learning Japanese, which is SO easy...