3.0
Review: Candy, King’s Head Theatre
Strangely, this play is at its strongest during the times when it’s completely off topic. Despite focusing on the experiences of a young man falling in love wi...
Theatre
3.0
3.0
Review: Fix, The Pleasance Theatre
A broken washing machine in an old house, somewhere in the woods, an older woman with secrets and a repairman with a seemingly easy task. That is the set-up fo...
Miriam Battye: “I’ve always felt that we live in a world of fuckable and unfuckable people”
After developing it during the Royal Court Writer's programme, Miriam Battye is ready to conquer the stage with her play, Scenes with Girls. She talks to Halim...
Oscar Toeman “You can write the characters off in one sentence, but it takes a play to understand them”
Lindsey Huebner interviews Oscar Toeman, runner up of this year's JMK awards as he gears up to direct Lucy Prebble's controversial play, The Sugar Syndrome. ...
4.0
Review: Jew… ish, King’s Head Theatre
On he runs, singing “I'm a Jew… one of God’s chosen few” and we realise what we've let ourselves in for - an hour of a ludicrous, tender mess between two peopl...
4.0
Review: RAGS The Musical, Park Theatre
It seems no surprise from a read of the programme note that composer Charles Strouse wrote the music to RAGS before collaborator and lyricist Stephen Schwartz ...