4.0
Review: Romantics Anonymous, Bristol Old Vic Live
Romantics Anonymous welcomes theatre goers with open arms into the new medium of live theatrical broadcast. From the moment you open the live stream you are tr...
Theatre
4.0
4.0
Review: Wilde Without the Boy, The Playground Theatre
What is freedom? Since COVID-19 hit back in March and the majority of us have been in intermittent stages of lockdown, the idea of being ‘free’ has become incr...
4.0
Review: Sunnymead Court, Defibrillator with The Actors Centre
This trip to Sunnymead Court is my first trip back to an indoor performance with other audience members. There is chatter from all angles and I'm excited to be...
Iris Theatre: “It’s all about giving back”
In our latest feature, Samuel Nicholls talks to Paul-Ryan Carberry, artistic director of London's Iris Theatre, about getting through a pandemic, the strength ...
The Lowry’s Temporary Nightingale Courtroom: A Response
In light of the strain that COVID-19 has put on theatres around the country, The Lowry recently announced that they will be partnering with the Ministry of Jus...
3.0
Review: Persephone’s Dream, The Cockpit
This is one of the most insane pieces of work I have ever seen. An entire ensemble, most of them over fifty, do cats cradle or upper-body physical theatre, try...