Leo Bill: “Of course there’s still a place for Shakespeare!”
Hello again, Shakespeare! We sat down with actor, Leo Bill to find out what it was like working with a legend and whether there's such a thing as 'Bard' overloa...
Highlights
We really need to show more queer women on stage
Jennifer Cerys is demanding more representation of queer women on stage. She writes about finding our identity on our own terms and how to inspire the younger g...
Scottee: “Fat people are policed on a day-to-day basis”
Celebrating a decade of work, Scottee is returning with Hamburger Queen. He chats with Josephine Balfour Oatts about how, when it comes to 'fatness', society is...
Leaving traditional criticism behind: Lyn Gardner’s latest project
Lyn Gardner writes about Stagedoor, a new app changing the way we access and view theatre, as well as the constant need for fresher critical voices. When I s...
Why is violence towards Front of House workers tolerated?
Manuel Muñoz writes about his experience working Front of House and the unacceptable, violent behaviour he and others have had to endure at the hands of audienc...
Producing the Maiden Speech Festival: Making Space For Change
Producer, Lexi Clare writes about why we accept harmful discrimination, the 'openness' of theatre and how she is hoping to make change with Maiden Speech Festiv...