Can the older and younger generations work effectively together in theatre?
Why do the older and younger generations assume they have little in common? Here, a young theatremaker in Leeds writes first hand how working together in theat...
Highlights
Barbara Matijević: “You’d think that as a performer it’s almost automatic when they press play”
We talk with Barbara Matijević and Lewys Holt in the run up to their solo shows at The Place about working on your own and whether more 'radical' forms of danc...
Stacey & Nicola Bland’s Call Me Vicky: “God, what the fuck just happened!”
Erin Cobby chats with Stacey and Nicola Bland, writers of Call Me Vicky about the importance of honestly representing their trans godmother and appreciation fo...
I’m trying to dispel the myth that sign language is ‘other’
Jenny Sealey, Artistic Director of Graeae, a theatre company that boldly places D/deaf and disabled actors centre stage, writes about directing a new productio...
I sometimes feel that audiences are in a post-exhaust period of jadedness
Gus Mitchell writes about the notion of 'experimental' theatre: Where this idea stands in 2019 and how looking back to 1960s Off-Off Broadway definitely explai...
Ad Infinitum: “It’s a serious problem we have and we’re not really facing it”
The team behind Chloe and the Colour Catcher, return with a very personal project about themselves - a same-sex couple and how and if they should have kids. ...