Review: No One Is Coming To Save You, The Bunker Theatre
No One Is Coming To Save You takes place in the dreams of two unnamed, depressive and insomniac young people. Everything seems to be on hold for them, including...
Frey Kwa Hawking
Review: Sancho: An Act of Remembrance, Wilton’s Music Hall
It’s very likely no person will ever have the same boundless charisma as Paterson Joseph: it makes him the perfect performer to carry off a one-man show, in thi...
Review: H.R.Haitch, Union Theatre
H.R.Haitch, a ‘new’ musical comedy from Iris Theatre’s Workin Process scheme three years in the making, has found a fitting home at Union Theatre. The setting i...
Review: Baby Box, King’s Head Theatre
Sleepless Theatre Company’s Baby Box takes a long, searching look at female pain, strength and survival through the lens of sisters, Jamie and Chloe. A trajecto...
Review: I, AmDram, Camden People’s Theatre
Like nearly every one-hander, for all the possible production values, stimulating concepts and masterful writing, I, AmDram ultimately stands or falls on the ne...
Review: The Prudes, Royal Court
A woman and a man are going to have sex. They need to have sex, in fact. It might be now or never. In Anthony Neilson’s The Prudes, neither character is in fact...
Frey Kwa Hawking
Frey Kwa Hawking is a small person, full of hate, who lives and writes in London. He likes to go to the theatre and the cinema. Sometimes they let him in. He is trans and Malaysian-Chinese. He always orders xiao long bao. Follow him on Instagram at @absentobject.