Review: Pericles, The Barbican
Pericles is a problem - unrelatable, distancing and totally at odds with modern logic. As a result of its lack of clear grounding in the modern world, its recen...
Rachael Head
Review: Mirrors, Leicester Square Theatre
As soon as we enter The Lounge room at The Leicester Square Theatre, we feel as though we are intruding into someone’s personal space. Coloured cushions and shi...
Review: Ok, Bye, The Vaults
Ok, Bye is the tale of loss: loss of a parent, loss of freedom, and the loss of a homing pigeon. Co-creators Kate Goodfellow and Vicki Baron have combined a fam...
Review: Macbeth, Wilton’s Music Hall
It’s bitterly cold outside and the ice settling on my skin doesn’t abate as I take my seat in Wilton’s Music Hall. It’s dark, cold and perfectly eerie. Fog snak...
Review: The Quantum Physics of my Heart, The Vaults
The Quantum Physics of my Heart is playing as part of the Vaults Festival. The festival is a big operation, with over 300 shows playing across three months. The...
Review: Things I Know to be True, Lyric Hammersmith
‘All happy families are all alike; every unhappy family is unhappy in its own way’ Andrew Bovell seems to have been writing Things I Know To Be True with Tol...
Rachael Head
Rachael co-founded her first theatre company at nineteen, wanting an outlet to explore contemporary plays and modern morality tales. She worked as the Producer for three years, touring Oxford and London fringe venues. After taking a quick break to train as a Script Reader for a production company in Atlanta, Rachael started producing short films, and now much longer ones. Rachael's heart still belongs in theatre though and you'll find her reading or reviewing plays most evenings, preferably with a stiff whiskey in hand.