5.0
Review: Gypsy Queen, Hull Truck Theatre
From its marketing, it would be easy to dismiss Gypsy Queen as another play confronting the latest ‘issue’ in a new and unexpected way. We’ve watched plays tha...
John Askew
5.0
Edinburgh Review: Travesti, Pleasance Dome
Two years ago, Chris Goode and Company made a piece in which the words of children were spoken by a cast of adults. In Travesti, the new piece from Unbound Prod...
Review: Berlin, The Space
We are informed that Jackinabox Productions’ adaption of Christopher Isherwood’s memoirs Christopher and His Kind had to be renamed. It is now called Berlin on ...
Edinburgh Fringe Review: 99.9 Degrees
The hostage situation is both an inherently dramatic and an inherently static scenario. Suspense springs from the central jeopardy of the unanswered, life-or-de...