Feature: Peeping behind the scenes of PEEP
As he prepares to take PEEP up to the Edinburgh Fringe again, Donnacadh O'Briain talks to Catherine Love about self-censorship, voyeurism and what audiences can...
Catherine Love
Edinburgh Fringe Review: 1984
In a society that feels constantly under the microscope, both protected and oppressed by the glare of CCTV cameras, it is not surprising that George Orwell’s gr...
Edinburgh Fringe Review: Everything Else Happened
The writing of Jonathan Safran Foer wrestles to be released from the page. Unravelling itself in drawings, symbols and mutated forms, it seems bitterly disconte...
Edinburgh Fringe Review: The Company of Wolves
It is not often that, upon walking into a theatre, you are asked to reveal your heart’s desire. In transforming Angela Carter’s sensual reimagining of the Littl...
Edinburgh Fringe Review: Love and Understanding
As hinted at by the title, the theme of Joe Penhall’s play is unspectacular, as familiar as its triangular set up. Stressed young doctors Neal and Rachel are st...
Edinburgh Fringe Review: Educating Ronnie
Charity is never as simple as just giving. It’s certainly not that simple for Joe, a typical gap year traveller who finds himself engaged in a very atypical act...
Catherine Love
Catherine is a freelance arts journalist, editor and copywriter. She is one of the editors of Exeunt and has written for publications such as The Guardian, The Stage, Time Out and IdeasTap, as well as working with organisations including Fuel.