Review: Coolatully, Finborough Theatre
The post office in Coolatully is all boarded up. The local pub only stocks ready salted crisps and is struggling to break even. This used to be the sort of plac...
Adam Foster
Review: Jonah and Otto, Park Theatre
Robert Holman is a playwright rarely revived. The Park Theatre’s staging of his 2008 play Jonah and Otto will be the first of his works to be produced in London...
Feature: Vinay Patel – “a writer with his finger firmly on the pulse”
Things are going well for Vinay Patel. After a succession of short plays his debut full-length play, True Brits, premiered at the Edinburgh Festival Fringe this...
Review: Major Tom, Battersea Arts Centre
Some years ago Victoria Melody and her husband Mike bought a plant. The logic being that if they could keep it alive they might one day go on to buy a dog. And ...
Edinburgh Review: Biding Time (Remix), Summerhall
The need to distinguish between genres is simultaneously vital and irrelevant at the Edinburgh Fringe. Choosing whether an all-male, all-singing, all-dancing, p...
Edinburgh Review: Leaving Home Party, Summerhall
There are two things you need to know about Catherine Ireton: one, she comes from Ireland; two, she has the most remarkable singing voice. Living in Limerick...
Adam Foster
Adam graduated from the University of Exeter with a First Class degree in Drama. He is currently enrolled on Royal Holloway’s MA Playwriting course. As a playwright, Adam has had work performed at numerous venues including South Hill Park Arts Centre, New Wimbledon Studio, West Yorkshire Playhouse, Exeter Phoenix, the Northcott Theatre and at the Edinburgh Festival Fringe. His most recent play, Long Story Short, was recently produced at the Pleasance Islington. As a theatre critic Adam has written for various publications, winning the Theatre Record Award for theatre criticism at this year’s National Student Drama Festival.