3.0
Review: No Man’s Land, Hull Truck Theatre
It is safe to say that No Man’s Land is, by no means, Harold Pinter’s most famous play. Ostensibly, it is about age and memory following two characters wh...
Hannah Hobson
3.0
5.0
Review: The Canary and the Crow, Roundabout at Summerhall, Edinburgh Fringe
From Middle Child’s work over the past year we can expect their offering at this year’s Edinburgh Fringe, The Canary and the Crow, to be a searing play. Middle...
5.0
Review: Hitler’s Tasters, Greenside, Infirmary Street, Edinburgh Fringe
By the time we have packed into the Olive Studio, a week into the Edinburgh Fringe Festival, Hitler’s Tasters is already one of the hits of the season. The tic...
4.0
Review: Sary, Sweet Novotel, Edinburgh Fringe
Sary is a marked part of the British folklore tradition, specifically set in the bleak landscape of rural medieval Sussex. Nestled in the intimate space at the...
2.0
Review: Drowning, Pleasance Courtyard, Edinburgh Fringe
It is a testament to Drowning’s evocative marketing that Pleasance Above is so packed out on this sunny afternoon in Edinburgh. The stage is set: four bathtubs...
4.0
Review: Standing too Close on Our Own in the Dark, Hull Truck Theatre
In many ways, Standing too Close on Our Own in the Dark takes gig theatre to its inevitable conclusion. Matthew Collins’ staging sets it overtly in the gig mod...
Hannah Hobson
Hannah is a playwright and novelist based out of Beverley, East Riding of Yorkshire. In 2019 she graduated from Keele University with a BA in English with Creative Writing. She is currently working an office job but still finds time to read, write and haunt the auditoriums of all the local theatres.