Review: The Inheritance, Noel Coward Theatre
For the most part, I try to avoid the use of superlatives when I’m writing about plays. They’re generally too strong, or bigger than what’s actually needed. Add...
LGBT+
Review: A Haunted Existence, The Island, Bristol
A Haunted Experience fits into an abandoned police station turned multi-purpose arts centre (The Island). I freely enter an installation which presents research...
Jordan Seavey: “Queer people should have equal access”
Chronicling the relationship of two men as they navigate the complexities of being gay in the US of A, Homos, Or Everyone in America, makes its long overdue tra...
Review: Edinburgh Fringe Festival, Gypsy Queen, Assembly George Square Studios
★★★★ Gypsy Queen is a play about sexuality and survival. Directed by Adam Zane, this sharp two–hander charts the clash of a pair of young boxing titans, Dane...
Review: Riot Act, King’s Head Theatre
Riot Act, written and performed by Alexis Gregory, is a one man show that lasts just one hour and is comprised of three monologues. Gregory interviewed three ga...
Ditching Clichés: The Next Generation of Playwrights?
As I sit on a Bakerloo line tube on the way to the National Theatre, I can’t help but feel slightly envious. Since the National Theatre is such a prominent thea...