2.0
Review: A View from the Bottom, Whiskey Chow/Glasgow Buzzcut Festival
On 5 June 2021, as part of the Buzzcut super-stream-a back to back performance marathon. Whiskey Chow shared a new performance to camera&nb...
gender
2.0
3.0
Review: Lipstick, Southwark Playhouse
In my opinion, the Southwark Playhouse is one of the most inspiring London theatre venues; never shying away from telling stories that teach all ages, especial...
3.0
Review: Too Pretty to Punch, VAULT Festival
“A transgender warrior changes the world with nothing but a banjo and a killer pair of leather trousers”. Edalia Day’s piece Too Pretty to Punch creates its ow...
1.0
Twelfth Night, Greenwich Theatre Studio
It is a crowded auditorium buzzing with noise and expectation. The small space is intimate, however, the seats aren’t in any way tiered and so my view is heavi...
4.0
Review: Wild Swimming, Bristol Old Vic
The stage within Wild Swimming is a liminal space, within which time is constantly shifting and the actor-character distinction is fluid. It’s equall...
Acknowledging the Elephant on the Stage: Can theatre ever just be theatre?
Can we watch and create theatre without any political intention? Is apoliticism an insidious tool? After watching two very different shows, Aidan Bracebridge i...