1.0
Review: Never Trust a Man Bun, Stockwell Playhouse
“Brush your hair, pluck your eyebrows and put on something pretty”, Rachel (Natasha Grace Hutt) says to Lucy (Katherine Thomas, also the writer), because, as a...
Aidan Bracebridge
1.0
4.0
Review: Medea, The Barbican
Simon Stone’s taut, modern adaptation of Medea pulls no punches so I’m not going to either: this is a brutally unflinching journey exposing many of the darkest...
3.0
Review: The Importance of Being Earnest, Tara Theatre
I wonder what Oscar Wilde would have thought of seeing his iconic comedy of aristocratic Victorian society, The Importance of Being Earnest...
3.0
Review: Bring Them Home, VAULT Festival
Part immersive theatre, part interactive board game, Treehouse Games’ Bring Them Home provides an inventive, manic evening of 1970s Space Race-themed fun in wh...
4.0
Review: And The Rest of Me Floats, Bush Theatre
is a beautiful, brave exploration of gender identity and
fluidity / burns with the constellations of possibilities shining between the
concrete categories of n...
5.0
Review: The D Word, VAULT Festival
Deftly dovetailing a deliciously droll disposition with a daringly dramatised dialogue on domestic difference and dynastic diversity, Jordan Waller’s dazzling ...
Aidan Bracebridge
Aidan grew up in Hertfordshire and studied English at Durham, graduating in 2017. He is known for his questionable taste in colourful shirts and an excessive enthusiasm for literary themed parties.