5.0
Review: Europe, Donmar Warehouse
Hegel’s famous quote that the “only thing we learn from history is that we learn nothing from history” seems to ring truer every day at the moment. Despite all...
Aidan Bracebridge
5.0
Acknowledging the Elephant on the Stage: Can theatre ever just be theatre?
Can we watch and create theatre without any political intention? Is apoliticism an insidious tool? After watching two very different shows, Aidan Bracebridge i...
4.0
Review: Three Sisters, Vaudeville Theatre
Maly Drama Theatre of St. Petersburg’s production of Three Sisters, Anton Chekhov’s poignant exploration of human hearts in rebellion against the meaninglessne...
5.0
Review: Beats on Pointe, Peacock Theatre
As Beats on Pointe whirls into London, scattering its magical blend of ballet and street dance, I arrive at the Peacock Theatre excited but a little nervous si...
4.0
Review: Captain Corelli’s Mandolin, Rose Theatre Kingston
The people of war-time Cephalonia fearfully await the entrance of their Italian occupiers. After a hurried hour of fairly disjointed scenes, I am almost as app...
3.0
Review: Wolfie, Theatre 503
With its long-lost twins, its wolf-mother, its tree-chorus and its woodpecker-arbiter, you would be forgiven for thinking Wolfie is a regular fairy-tale. You w...
Aidan Bracebridge
Sub Editor
Aidan grew up in Hertfordshire and studied English at Durham, graduating in 2017. He is known for his questionable taste in colourful shirts and an excessive enthusiasm for literary themed parties.