3.0
Review: *Untitled, Zest Theatre
*Untitled is a new, inventive digital piece that captures the exuberance and anxiety of being a young person in such an uncertain world, and how these feelings...
Aidan Bracebridge
3.0
3.0
Review: Scenes for Survival: The Longest Summer, National Theatre of Scotland
Those long British childhood summers, endless days of possibility and madcap energy punctuated by weak sunshine and spells of boredom, are unforgettable to tho...
4.0
Review: Scenes for Survival, Black Scots, National Theatre of Scotland
An extract from Phillipe Ducros, Linda McLean and Davey Anderson’s 2018 production First Snow, Black Scots is a brief but powerful rumination on racism past an...
4.0
Review: Santi & Naz, VAULT Festival
Heart-warming and distressing, elegant and silly, Santi & Naz is a moving story of pairs that at first glance belong to distinct, different sides of the li...
3.0
Review: Pictland, Katzpace
Squabbling over the identity of a society struggling to get by, arguing over which procedures should be considered legitimate and on what grounds, uncovering f...
2.0
Review: Cinderella, The Vaults
Christmas is a-coming and the geese are being intensively pumped full of chemicals which means only one thing in theatreland: an unstoppable outbreak of pantom...
Aidan Bracebridge
Sub Editor
Aidan grew up in Hertfordshire and studied English at Durham, graduating in 2017. He is known for his questionable taste in colourful shirts and an excessive enthusiasm for literary themed parties.