2.0
Review: Cinderella, The Vaults
Christmas is a-coming and the geese are being intensively pumped full of chemicals which means only one thing in theatreland: an unstoppable outbreak of pantom...
Aidan Bracebridge
2.0
2.0
Review: Red Palace, The Vaults
Being but an ‘umble despot trying to scratch out a living in my modest smallholding in the hinterlands (aka anywhere beyond Zone 1) at the outskirts of the Pri...
4.0
Review: Yes No Black White, Camden People’s Theatre
Yes No Black White is part of Camden People’s Theatre’s Handle With Care festival which interrogates that most bizarrely pejorative of terms, the ‘Snowflake’ –...
4.0
Review: Anything with a Pulse, Hen and Chickens Theatre
Playful, lively and wonderfully funny, Anything with a Pulse by Eliana Ostro (who is both writer and director) depicts a tender love story smothered under a ge...
5.0
Review: Europe, Donmar Warehouse
Hegel’s famous quote that the “only thing we learn from history is that we learn nothing from history” seems to ring truer every day at the moment. Despite all...
Acknowledging the Elephant on the Stage: Can theatre ever just be theatre?
Can we watch and create theatre without any political intention? Is apoliticism an insidious tool? After watching two very different shows, Aidan Bracebridge i...
Aidan Bracebridge
Sub Editor
Aidan grew up in Hertfordshire and studied English at Durham, graduating in 2017. He is known for his questionable taste in colourful shirts and an excessive enthusiasm for literary themed parties.