Review: Twilight: Los Angeles, 1992, Gate Theatre
It has been a long while since I’ve had to wear a stickered name badge, and I wasn’t expecting my visit to Notting Hill’s Gate Theatre to be the next occasion w...
Charlotte Irwin
Review: The Narcissist, Hen & Chicken’s Theatrec
The Narcissist, as you might expect from such a title, is a one-man show. In the space of an hour, writer and performer Will Adolphy, uses monologue, dance, and...
Review: FCUK’D, Bunker Theatre
FCUK’D - the debut play from writer Niall Ransome - is a lament to Britain’s working class men. The unnamed protagonist who addresses the audience in poetic mon...
Review: David Hoyle Diamond, Soho Theatre
David is sick of being persecuted. In fact, David is sick of anyone in the LGBT+ community being persecuted. So, perhaps unsurprisingly throughout this multimed...
Review: Kinkens, Camden People’s Theatre
Kinkens may sound like the product of make-believe, but in fact the Old Scottish word for “evasive answers to questions from curious children”, is more than fit...
Review: Demons, St Leonard’s Church
Crime and Punishment, The Brothers Karamazov, Demons: Dostoevsky is synonymous with lengthy tomes, and this reworking of the aforementioned Demons doesn’t let i...
Charlotte Irwin
Charlotte has just completed an MA in Magazine Journalism at City, University of London. She now freelances, specialising in arts and culture. When she's not writing she likes to escape London and discover other cultures.