4.0
Review: Grief is the Thing with Feathers, The Barbican
It’s hard to know where to begin with Grief is the Thing with Feathers. It’s a surreal yet deceptively simple piece that almost defies explanation. It’s a tear...
Charlotte Irwin
4.0
4.0
Review: No Kids, Battersea Arts Centre
No Kids is much more than a play. It’s an argument, a discussion, a life decision. An exchange between real-life couple Nir Paldi and George Mann, No Kids asks...
3.0
Review: Anomaly, Old Red Lion Theatre
Anomaly places itself at the heart of the Time’s Up and #MeToo movement. Focusing on three daughters of a media mogul, Philip Preston, who has just been expose...
Review: The Rave Space, Camden People’s Theatre
To an extent, The Rave Space does what it says on the tin. You walk down the stairs into the dark basement of Camden People’s Theatre, get your hand stamped, ta...
Review: Made In China’s Super Duper Close Up, The Yard
Towards the end of Made In China’s Super Duper Close Up, solo-performer Jess Latowicki tells the audience, “I always thought my story would be one with backing ...
Review: A Pupil, Park Theatre
A Pupil is a not just a play, but a concert of sorts. This strings-based affair is both visually and aurally commanding in its tale of a teenage violinist being...
Charlotte Irwin
Charlotte has just completed an MA in Magazine Journalism at City, University of London. She now freelances, specialising in arts and culture. When she's not writing she likes to escape London and discover other cultures.