Review: Window, The Bread and Roses Theatre
Watching. That is the essence behind the voyeuristic Window. A young couple –Grace and Jimmy – are settling into their life together and find unexpected escape ...
Charlotte Irwin
Review: The Majority, National Theatre
Rob Drummond is on a democratic mission. Part game-show, part-memoir, Drummond’s latest experimental work – The Majority - is founded in truth “more or less” as...
Review: FREAK, The Space
FREAK is undeniably provocative. Juxtaposing lap dancing club orgies with first time sexual experiences, Anna Jordan’s sex-focused play seeks entry to the growi...
Review: My Mind is Free, Waterloo East Theatre
Without interval, My Mind is Free submerges you in tales of human trafficking. As four strangers huddle under blankets in a locked lorry hurtling towards their ...
Review: The Dream of Gerontius, Royal Festival Hall
The English National Opera is on staycation. Abandoning its Coliseum home for the summer (for Meat Loaf’s Bat Out of Hell musical) the ENO has moved to the Roya...
Review: Tiresia, Etcetera Theatre
Playing on gender, death, myth and science Tiresia is undeniably engaging. An adaptation of the Greek myth of the blind prophet Tiresias who famously became a w...
Charlotte Irwin
Charlotte has just completed an MA in Magazine Journalism at City, University of London. She now freelances, specialising in arts and culture. When she's not writing she likes to escape London and discover other cultures.