David is sick of being persecuted. In fact, David is sick of anyone in the LGBT+ community being persecuted. So, perhaps unsurprisingly throughout this multimedia, musical theatre-inspired monologue (with an unexpected foray into pub quiz) David Hoyle is unapologetically angry.

Over two hours Hoyle reveals his autobiography in parallel with a political timeline, covering a period of 60 years. From his years working in BHS in his hometown of Blackpool to his drug-fueled nights in Manchester – or as he dubs it, Gaychester – he places his life in context of the persecution of the LGBT+ community. A personal approach that with Hoyle at the helm definitely commands your attention.

He begins in 1957 with the Wolfenden report and the topic of decriminalising homosexuality was introduced. David was four and already struggling struggling to fit in. But shockingly it was 10 years later in 1967 when this was finally passed into law with the Sexual Offences Act. By this time, Hoyle had already experienced “two years of hell” after he was seen being kissed by a boy in the school playground. He went on to suffer a mental breakdown. Now, in 2017, David tells us persecution is still the norm, where people stand by as young LGBT+ people still feel rejected by society and often turn to self-harm.

There is a serious message and Hoyle doesn’t shy away from the direct to get this across. Yet, Hoyle does also want you to see the funny side of things. Just as he seems to have delved into the deepest depths of despair – screaming into his mic while on all fours – he throws in another quip, or collaborators the LipSyncers bring light relief in their humorous dance routine interludes. It’s nothing short of a rollercoaster experience, that undeniably showcases every facet of Hoyle’s personality.

This is a passionate performance that comes from the heart. That said, it is a little rough around the edges. Some scenes just don’t work, such as when he briefly holds up white paper with printed text that must only be legible to the front row. Sadly, the opening night was also plagued by sound problems. Hoyle laughs it off, but it is admittedly a distraction.

At points David Hoyle Diamond verges on the inspirational; Hoyle is a fascinating character and the audience interaction and cheering is testament to that. But, unfortunately, his verve and charm aren’t enough to save this show which, although lively, never seems to really get into its groove.

David Hoyle Diamond played Soho Theatre until 18 November. For more information, see www.sohotheatre.com