Review: The Barber of Seville, ENO
The ENO’s The Barber of Seville is steeped in history, in more ways than one. Firstly, we have the inimitable Sir Jonathan Miller at the helm. Secondly, this pr...
Charlotte Irwin
Review: The White Feminist Guide to Sex and Hip Hop and Pulp Fiction, Theatre N16
Getting to Maiden Speech, the feminist voices festival taking over the confusingly named Theatre N16 (it’s actually south of the river in Balham), is a theatric...
Review: In Event of Moone Disaster, Theatre503
On the night of the moon landing, dreamer Sylvia Moone loses her virginity to an unnamed astronaut. 86 years later, her granddaughter of the same name, is just ...
Review: Salvation: Shamanic Striptease, Camden People’s Theatre
White guilt. That’s the shame at the core of the Salvation: Shamanic Striptease. In just under an hour White African performance artist Daniel P. Cunningham see...
Review: Medusa, The Crypt Gallery
The allure of redefining myth never fails to entice. It’s a rite of passage for many theatre companies, and with Medusa the experimental and immersive 27 degree...
Review: Hyem, Theatre 503
As the name suggests, Philip Correia’s debut is an exploration of the home - or as his Northumberland-native characters’ say, hyem. Set in a dysfunctional patch...
Charlotte Irwin
Charlotte has just completed an MA in Magazine Journalism at City, University of London. She now freelances, specialising in arts and culture. When she's not writing she likes to escape London and discover other cultures.