Review: Fox Hunting, Courtyard Theatre
Fox Hunting as a title evokes the countryside battles between the government and wealthy hunters who chase and kill for sport. But at the Courtyard Theatre, 21-...
Charlotte Irwin
Review: Absolute Hell, Lyttelton Theatre
Rodney Ackland’s Absolute Hell was originally conceived as The Pink Room. The work delving into the hilarious and often tragic lives of the members of Soho Club...
Review: Moormaid, Arcola Theatre
Suicide. Terrorism. Adultery. The themes of Marion Blott’s Moormaid don’t suggest comedy, but Marion Blott’s script is at its most promising when she offsets th...
Review: This Is Not A Safe Place, Camden People’s Theatre
Jackie Hagan is an award-winning playwright, the 2018 Jerwood Compton Poetry fellow, and working class. And so, the monologue that makes up This Is Not A Safe S...
Review: The Country Wife, Southwark Playhouse
The Country Wife was written by William Wycherley in 1675, but Morphic Graffiti’s adaptation brings us to the Roaring Twenties where a group of Bright Young Thi...
Review: Coraline, Barbican
Coraline fast became a cult classic when Neil Gaiman’s children’s novella was first published in 2002. There has since been the award-winning stop-motion film a...
Charlotte Irwin
Charlotte has just completed an MA in Magazine Journalism at City, University of London. She now freelances, specialising in arts and culture. When she's not writing she likes to escape London and discover other cultures.