5.0
Review: Smoke Weed Eat Pussy Everyday, Camden People’s Theatre
There she lies on the mattress, snuggled in a thin blanket, holding herself tight. It's silent and dark and through the thin walls of the theatre we can hear s...
LGBT
5.0
3.0
Review: Candy, King’s Head Theatre
Strangely, this play is at its strongest during the times when it’s completely off topic. Despite focusing on the experiences of a young man falling in love wi...
4.0
Review: Coming Clean, Trafalgar Studios 2
Originally performed in November 1982 at the Bush Theatre, Coming Clean was acclaimed writer Kevin Elyot’s first professionally produced play, winning him the ...
4.0
Review: A Haunted Existence, Battersea Arts Centre
“You may find these things morally wrong. I do not.” That is the ringing clarion call extending from the Somerset town of Taunton in 1954 to the small au...
We really need to show more queer women on stage
Jennifer Cerys is demanding more representation of queer women on stage. She writes about finding our identity on our own terms and how to inspire the younger g...
Producing the Maiden Speech Festival: Making Space For Change
Producer, Lexi Clare writes about why we accept harmful discrimination, the 'openness' of theatre and how she is hoping to make change with Maiden Speech Festiv...