Edinburgh Review: Black Faggot, Assembly Roxy
If we’re going to talk about gay rights, we might as well do it as loudly and as obscenely as possible. And that’s exactly what Black Faggot does, but not at...
LGBT
Review: My Night With Reg, Donmar Warehouse
There are few plays that sit in the genre of gay dramatic literature and stand out as unarguably necessary and canonical, surpassing their temporality and remai...
Edinburgh Review: Milk Presents: Self Service, Northern Stage at King’s Hall
A "homemade, DIY, flat-pack, punk cabaret on the theme of queer"? By Total Theatre Award-nominated company Milk Presents? Close to midnight in an old church? Su...
Feature: How to Describe a Plague: Dan Phillips on directing Safe Sex and On Tidy Endings
The weekend of our first same-sex weddings, Dan Phillips started rehearsals for the UK premier of Safe Sex and On Tidy Endings. Harvey Fierstein's 1987 play...
Edinburgh Fringe Review: Love in the Past Participle
(4/5 Stars) Love in the Past Participle is a gentle show, which wears its sometimes difficult subject matter lightly. As the title suggests, the piece explo...
Representations of gay men
Guest blogger Daniel Marshall tackles the question of gay representation on the stage.