5.0
Review: Old Stock: A Refugee Love Story, Wilton’s Music Hall
One of the great struggles in staging generational trauma is fairly simple: how can a narrative give its audience enough to relate to that there’s a semblance ...
Grace Patrick
5.0
3.0
Review: Werther, Royal Opera House
It’s important to me that I preface this review with the disclaimer that my knowledge of opera is limited. Really, really limited. This is the second opera tha...
4.0
Review: Anna Bella Eema, Arcola Theatre
It’s something of a relief that Anna Bella Eema opens with an explicit warning that past, present and future are really only divided because that’s how we like...
2.0
Review: Hansard, National Theatre
It’s the end of another strenuous week being a member of Maragret Thatcher’s cabinet in 1988, and Robin Hesketh (Alex Jennings) returns home to his wife Diana ...
2.0
Review: Preludes, Southwark Playhouse
Preludes, a new musical with the book, music and lyrics all created by Dave Malloy, takes its audience on a journey through the life and creative traumas of Se...
5.0
Review: A Very Expensive Poison, The Old Vic
At once anachronistic, investigative and deeply morally invested, it’s easy to see a million and one ways in which Lucy Prebble’s A Very Expensive Poison could...
Grace Patrick
Grace is originally from North Wales. She moved to London to do her English and Drama degree and to see as much theatre as possible.