Ibsen

Blog: The office of politics: How a rare Ibsen satire finds its place in modern theatre

Ashley PearsonAugust 5, 2016

There’s something exciting about adapting a piece of work that’s only ever been staged twice in the UK, especially when it’s by a playwright as brilliant as Ibs...

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Review: Little Eyolf, Almeida Theatre

Camilla GurtlerNovember 27, 2015

Being a proud Scandinavian I can safely say I don't always have a great relationship with Ibsen. Because I met him very early on in my school days, he's always ...

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Feature: What is SACRED today?

Charlie QuinnNovember 20, 2014

Image by Chelsea Theatre Since 2006 The Chelsea Theatre have sought out original and interesting performances and given them the stage in their annual SACRED s...

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Review: An Enemy of the People, Barbican Theatre

Briony RawleSeptember 30, 2014

German director Thomas Ostermeier is on an odyssey through Ibsen. “Roughly every two years I have directed an Ibsen play,” he states in the programme, and his ...

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Blog: Points of departure – reflections on German theatre

Adam FosterJanuary 2, 2014

'Atmen' directed by Katie Mitchell I don’t speak German. Not a word. So it was with some trepidation that I travelled to Berlin a couple of weeks ...

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Review: Ghosts

Simon HoltonMay 1, 2013

Ibsen’s paradoxical reputation as the fearless experimenter and driver of social change of his day, and as a writer of somewhat fusty GCSE drama texts, makes hi...

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