Review: St John’s Night
Staging an Ibsen play which the playwright disowned in later life as a reworking of a student acquaintance's "rough mess of a draft" might seem like asking for ...
Ibsen
Review: A Doll’s House
There is an apt, echoing emptiness to the rooms of this Doll’s House. In the Young Vic’s new production of Ibsen’s domestic masterpiece, the superficial marit...
Never Properly Born: Why do we create theatre?
Three Kingdoms at Lyric Hammersmith
At the very end of King Lear (by that Shakespeare bloke) there is a spectacular snippet of verse that includes the line “s...