Review: King Lear, Duke of York’s Theatre
Will I ever see another play ever again that doesn’t have a slight whiff of Donald Trump about it? Doubtful. To be fair to King Lear, first performed back in 16...
Ian McKellen
Review: The Exorcist, Phoenix Theatre
The Exorcist’s origins don’t necessarily rely on the faith of huge numbers, nor does it really matter. Based on a ‘real life’ case (that old chestnut) about a b...
Review: No Man’s Land, Wyndham’s Theatre
This production of Harold Pinter’s drawing-room puzzler returns to its spiritual home in the West End after a long time traversing America (originally in rep wi...
Opportunity: Royal Theatrical Support Trust Director Award for emerging directors
Royal Theatrical Support Trust Director Award for emerging directors launched with Sheffield Theatres The Royal Theatrical Support Trust (RTST), and Sheffiel...