Review: Six Attempts to Swallow a Scream, Theatre N16
Far, far away, out in the treacherous zone 3, is Styx. Open both day and night, it boasts chilled out seating areas, a bar, a pizza joint, and Theatre N16. It’s...
Jessica Handscomb
Review: An Execution (By Invitation Only), Camden People’s Theatre
Allegedly inspired by the writings of Vladimir Nabokov, Gemma Brockis’ revisited play An Execution (By Invitation Only) is a surreal piece that explores the mor...
Review: The Woods, The Royal Court Theatre
We enter, treading on bark and wood chippings to take our seats, walking through a dark and damp wood, weaving past tall, spindling tree trunks. Naomi Dawson’s ...
Review: Earth Makes No Sound, The Place
Self-described as a “provocation about our planet and how we look after it,” Filament Theatre Group bring Earth Makes No Sound to this year’s Tête à Tête Opera ...
Review: Silk Road (How To Buy Drugs Online), Trafalgar Studios
So, apparently, at the beginning of this decade there was an online black marketplace called ‘Silk Road’, presumably named after that ancient network of trade r...
Review: Camden Fringe, A Tinder Trilogy, Hen and Chickens Theatre
Camden Fringe is back again, and will be showcasing 300 new productions across North London until 26 August. One of those is A Tinder Trilogy, written by Annie ...
Jessica Handscomb
Jessica was born and raised in North London, and studied English at Goldsmith's College, University of London. A life-long lover of theatre, books and the great outdoors, she is also a Spice Girls enthusiast, perpetual over-sleeper and lover of Italian food. Above all she loves to write, and hopes to build a career around this.