The great tradition of watching a family be horrible to one-another is given a fresh undercurrent in Branden Jacobs-Jenkins’ 2014 play Appropriate. With a veno...
The National Theatre delivers perfection and an antidote to the Brexit blues in its stunning adaptation of Pericles: a defiant celebration of inclusivity, diver...
A woman and a man are going to have sex. They need to have sex, in fact. It might be now or never. In Anthony Neilson’s The Prudes, neither character is in fact...
Before we get into this, let’s contextualise the surroundings. Because y’all know I love the experience as a whole. So, first off: the Hampstead Theatre is a cu...
Should we feel bad for occasionally preferring to exist in the space called cyber? Is it so awful to be able to communicate more coherently - more confidently t...
£10 Ticket Offer for Parliament Square by James Fritz
Where is the line between absolute commitment and dangerous obsession? How far would you go to ignite cha...