Review: Hole, Royal Court Theatre
The Royal Court has been extraordinary as of late at dedicating their spaces to let women experiment with form. Ellie Kendrick’s debut play Hole is another expe...
Tricia Wey
Review: ear for eye, The Royal Court
debbie tucker green returns to the Royal Court with her newest play, ear for eye. Sewn together using her signature poetic style, ear for eye is a compilation o...
Review: Misty, Trafalgar Studios
Misty, originally staged at the Bush Theatre, has made its West End debut at Trafalgar Studios, and if you didn’t get to see it its first-time round, you should...
Heathers: “That’s what it was like when I was at school!”
Tricia Wey talks to the team behind Heathers the Musical, about last minute song choices, die-hard fans and the wickedly dark story’s timeless relevance. Onc...
Review: Hamilton (Lewis), King’s Head Theatre
Remember back when Hamilton was new, and people didn’t know, for certain, who or what it was about? If not: back before Hamilton was the smash hit we’ve all com...
Review: Spring Awakening, Stockwell Playhouse
As the sounds of My Chemical Romance and Evanescence filled the Stockwell Playhouse, I prepared myself for a foray into late nineteenth-century Germany. Spring ...
Tricia Wey
Tricia is an awkward being who is often more hair than actual person. She loves theatre, especially immersive, and all creative pursuits. Her accent will confuse you and she often mixes her Americanisms with her UK turns of phrase. Follow her on instagram: @tricia.wey and her blog for further (sometimes less socially upstanding) thoughts and ramblings...when she is proactive enough to turn said thoughts and ramblings into actual words: https://triciasway.wordpress.com/