5.0
Review: A Wake in Progress, VAULT Festival
I want to talk about
death. Before you resign yourself
to this being all doom and gloom, it’s not. Death is going to happen to
everyone, of course; no one ...
Tricia Wey
5.0
4.0
Review: Avenue Q, New Wimbledon Theatre
Avenue Q first hit the stage in 2003: an offensive romp of a musical comedy that invites you down to Sesame Street, after hours. It’s the story of Princeton, a...
5.0
Review: Showstopper! The Improvised Musical, The Other Palace
I love improv shows but I hate reviewing them; the best improv is incredibly difficult to review because each performance is so wildly different, but I’ll give...
4.0
Review: Wise Ones, Wild Ones, Rich Mix
Shoreditch. 2019. It is late; the sun has long since set. An audience is welcomed into a room on the top floor of the Rich Mix performance venue. Aside from th...
Review: Peter Pan, The Park Theatre
We all know the story of Peter Pan, the boy who refused to grow up. It’s a time-honoured favourite, especially at this time of year. With the show’s popularity,...
Review: Hole, Royal Court Theatre
The Royal Court has been extraordinary as of late at dedicating their spaces to let women experiment with form. Ellie Kendrick’s debut play Hole is another expe...
Tricia Wey
Tricia is an awkward being who is often more hair than actual person. She loves theatre, especially immersive, and all creative pursuits. Her accent will confuse you and she often mixes her Americanisms with her UK turns of phrase. Follow her on instagram: @tricia.wey and her blog for further (sometimes less socially upstanding) thoughts and ramblings...when she is proactive enough to turn said thoughts and ramblings into actual words: https://triciasway.wordpress.com/