4.0
Review: A Christmas Carol, Immersive London
Hartshorn-Hook Productions’ immersive dining adaptation of Charles Dickens’ well-known Christmas novel offers a twist on this familiar tale. Though a small-sca...
Tricia Wey
4.0
4.0
Review: Ghost Stories, Lyric Hammersmith
Almost ten years after its inception, Jeremy Dyson and Andy Nyman remount Ghost Stories at the Lyric Hammersmith, to continue delivering its signature scares. ...
4.0
Review: Shit-faced Showtime: Oliver with a Twist, Leicester Square Theatre
From the brains that brought you the Shit-faced Shakespeare shows, ever popular at Brighton and Edinburgh Fringe, comes a new drunken offering: Shit-faced Show...
4.0
Review: Tom Gates: Live on Stage, Richmond Theatre
Birmingham Stage Company returns with another live version of a children’s book, this time Liz Pichon’s Tom Gates series. Tom Gates: Live on Stage is a fun, su...
4.0
Review: The Cabinet of Madame Fanny Du Thé, The Pleasance Theatre
It is always a joy to experience a show full of energetic, rich storytelling and seasoned with a generous helping of genuine fun. Riddlestick Theatre’s The Cab...
5.0
Review: A Wake in Progress, VAULT Festival
I want to talk about
death. Before you resign yourself
to this being all doom and gloom, it’s not. Death is going to happen to
everyone, of course; no one ...
Tricia Wey
Tricia is an awkward being who is often more hair than actual person. She loves theatre, especially immersive, and all creative pursuits. Her accent will confuse you and she often mixes her Americanisms with her UK turns of phrase. Follow her on instagram: @tricia.wey and her blog for further (sometimes less socially upstanding) thoughts and ramblings...when she is proactive enough to turn said thoughts and ramblings into actual words: https://triciasway.wordpress.com/