3.0
Review: Werther, Royal Opera House
It’s important to me that I preface this review with the disclaimer that my knowledge of opera is limited. Really, really limited. This is the second opera tha...
Charles Edwards
3.0
Review: Absolute Hell, Lyttelton Theatre
Rodney Ackland’s Absolute Hell was originally conceived as The Pink Room. The work delving into the hilarious and often tragic lives of the members of Soho Club...
Review: Waste, National Theatre
Perhaps the only truly relevant aspect of Waste, at the National Theatre, is that the white upper classes deal with the country's politics, and avert their priv...
Review: Blithe Spirit, Gielgud Theatre
There was a tangible prickle of excitement and expectation that filtered through the audience before Dame Angela Lansbury took to the stage – an audible murmu...
Review: Elektra
An epic and destructive blood-soaked tour-de-force, Strauss’ Elektra is no stranger to the Royal Opera House, already seeing revivals in 2003 and 2008. Beginn...