Matt Gurney: “Some theatre companies use Deaf actors in a tokenistic way”
As Ad Infinitum's Extraordinary Wall of Silence starts its run at Bristol Old Vic, Co-Artistic Director, George Mann sits down with friend and colleague, Matt ...
Opinion
The latest from A Younger Theatre’s writers on theatre and more…
Being Given Space Should Be Normal, But it is Completely Exceptional, Rare and Should be Applauded
Julia Head went from working Box Office at the Bristol Old Vic with her friend Marek to forming theatre company, Full Rogue. Now their show, Wild Swimming is o...
The State of New Writing: Administrative Minefield or Grassroots Revolution?
During this month, Theatre 503's 'Summer Takeover' has offered us creatives advice to help further our careers. Invited to the closing event, Blue Huseyin won...
I’m Overwhelmed by the Inaccessibility of Fringe for Working-Class Creatives
Making an Edinburgh Fringe debut, there is no time, or money, for your immune system to fail you. Eve Simpson writes about the reality of taking a show to the ...
If I don’t create my own work, am I not a true artist?
How often do you torture yourself with this statement? Actor, Georgia Tuohey talks candidly about her struggles with and ultimately liberation from knowing she...
As black women, we exist at the bottom of a social hierarchy
Chantelle Alle and Melissa Saint grew tired of not seeing stories that reflected their lives as young, black women. So they decided to create one. Here, they w...