3.0
Review: Getting Close, Scenes for Survival, National Theatre of Scotland
One of the hardest struggles of lockdown has been staying connected to those you love or care about. Kathy McKean’s short monologue expresses longing for the t...
Matt Barton
3.0
2.0
Review: The Maid’s Room, Scenes for Survival, National Theatre of Scotland
The pandemic hasn’t halted theatre’s affinity with a good ghost story. This instalment in the National Theatre of Scotland’s Scenes for Survival series attempt...
4.0
Review: Four Minutes Twelve Seconds, Oldham Coliseum Theatre
One of a parent’s strongest instincts is to protect their child. James Fritz’s 2014 thriller Four Minutes Twelve Seconds tests its strength in the digital age,...
4.0
Review: Extraordinary Wall of Silence, HOME Manchester
With such a regular focus on the oral performance in theatre – always interested in the details of the delivery of a line – Ad Infinitum’s creative use of the ...
3.0
Review: The Strange Tale of Charlie Chaplin and Stan Laurel, HOME Manchester
There are few more iconic or quintessential show business stars than Charlie Chaplin and Stan Laurel. The latest show from the inimitably quirky company Told b...
2.0
Review: Plant Fetish, HOME, Manchester
Like a perennial evergreen, Chanje Kunda’s Plant Fetish continues to flower at HOME since it first blossomed during January’s Push Festival. Her solo show, whi...
