Michael Buffong: “Change has happened and will continue”
In our latest interview, Matt Barton speaks to Michael Buffong, artistic director of Talawa, about their new digital series Tales from the Front Line, the futu...
Matt Barton
4.0
Review: Phoenix, English Touring Theatre
As the country endures a second lockdown, Mike Bartlett’s audio drama revisits one of the biggest controversies of the first. His 17-minute piece probes the te...
3.0
Review: PETRICHOR, ThickSkin Theatre
Over lockdown we’ve become accustomed to watching theatre through computer screens, but ThickSkin’s latest production asks its audience to watch through a VR h...
2.0
Review: Macbeth, Big Telly Theatre
This is perhaps the most definitive proof yet that ‘The Scottish Play’ is cursed. Zoom has been the repurposed vessel for theatre’s desperate effort to maintai...
Georgia Leanne Harris: “We want Golden Goose to be a place where you can take risks”
In our latest interview, Matt Barton interviews Georgia Leanne Harris, the artistic director of London's newest theatre. They talk about opening a theatre in a...
3.0
Review: Getting Close, Scenes for Survival, National Theatre of Scotland
One of the hardest struggles of lockdown has been staying connected to those you love or care about. Kathy McKean’s short monologue expresses longing for the t...
