The Coalface of Crisis Comms: A Year in Theatre PR
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Matt Barton
3.0
Review: Circles, Living Record Festival
If you're enjoying our content, then please consider becoming a patreon with every penny going towards keeping paying AYT going and paying our very talented tea...
Michael Buffong: “Change has happened and will continue”
In our latest interview, Matt Barton speaks to Michael Buffong, artistic director of Talawa, about their new digital series Tales from the Front Line, the futu...
4.0
Review: Phoenix, English Touring Theatre
As the country endures a second lockdown, Mike Bartlett’s audio drama revisits one of the biggest controversies of the first. His 17-minute piece probes the te...
3.0
Review: PETRICHOR, ThickSkin Theatre
Over lockdown we’ve become accustomed to watching theatre through computer screens, but ThickSkin’s latest production asks its audience to watch through a VR h...
2.0
Review: Macbeth, Big Telly Theatre
This is perhaps the most definitive proof yet that ‘The Scottish Play’ is cursed. Zoom has been the repurposed vessel for theatre’s desperate effort to maintai...
