Review: The Red Barn, National Theatre
The Red Barn is David Hare's new play based on Georges Simenon's novel La Main, a story of crime, jealousy and desire. We are in Connecticut in 1969, and a snow...
Franciska Éry
Review: Kinetics, London Drama Studio
Rose (Sue Wylie), a retired actress and now drama teacher, is diagnosed with Parkinson's Disease and Kinetics follows her struggle as she is determined to fight...
Review: Getting Better Slowly, New Diorama
Getting Better Slowly (which, cleverly, is GBS for short) is a piece created by Adam Pownall, who was affected by Guillain-Barré Syndrome. This is his story, ad...
Review: The Way You Look (At Me) Tonight, Royal Festival Hall, Southbank Centre
Open, tactile, dynamic, strong, gentle. Mobile. Moving. These are only a couple of words that were on my mind while watching The Way You Look (At Me) Tonight, a...
Review: The Roundabout, Park Theatre
JB Priestley's little known play The Roundabout is a light comedy about the class system in 1930s England. Richard Kettlewell (Brian Protheroe), a wealthy busin...
Review: Thlides, Lion and Unicorn Theatre
Spawny John (Lydia Lakemoore) and his friend, Duck (Rosie Grundy-Orchison), an inflatable duck, are sitting halfway down a Butlins water slide, eating and chatt...
Franciska Éry
Franciska studies a masters in Performance Making at Goldsmiths, University of London. When not performing or directing, she loves watching unconventional theatre, editing short films and making up embarrassing choreographies in her bedroom