Review: Torn Apart (dissolution), Hope Theatre
I climb the steps of the Hope Theatre as I read the blurb for Torn Apart. It says the play 'puts women centre stage and deals with issues such as feminism, immi...
Franciska Éry
Review: Trump’s Women, RADA Festival
There are many reasons why you laugh at Lily Bevan's Trump's Women. First of all, you laugh because it's truly funny. Written and directed by Bevan, the play ta...
Review: Not John, John Gielgud Theatre
Darryl is not John, the drag queen he met in a pub and called a 'she-bloke'. 'Not yet', as he repeatedly tells us. He is an unemployed, 'plain' guy in a perfect...
Review: The Life of Galileo, Young Vic
The Young Vic’s versatile main space has been transformed yet again; this time we are sitting under designer Lizzie Clachan’s huge white disk, a canvas for proj...
Review: Identity Crisis, Ovalhouse
According to the blurb for Phina Oruche's one-woman show Identity Crisis, the show is about Oruche's personal journey through fashion and media, and what these ...
Review: Egyptian Extravaganza, Colab Factory
Curious Flamingo's Egyptian Extravaganza is part of Colab Factory's immersive season and promises to be a fancy dress experience exploring Egypt in the 1920s an...
Franciska Éry
Franciska studies a masters in Performance Making at Goldsmiths, University of London. When not performing or directing, she loves watching unconventional theatre, editing short films and making up embarrassing choreographies in her bedroom