Review: Boy, Almeida Theatre
As we enter the space, Boy has already started; the actors circle around the stage on a moving travelator, sitting on invisible chairs. Following their collabor...
Franciska Éry
Review: Our Brother Hamlet, Jack Studio Theatre
As they often say, in Shakespeare's time people went to hear plays, not to see them. This is quite fitting for Julia Stubbs Hughes' adaptation of Hamlet; a one-...
Review: Samba and Tears/Bridging the Void, RichMix
Samba and Tears and Bridging the Void is an experimental double bill interested in fusing movement and dance with multimedia. Directed and choreographed by S...
Review: Princess Caraboo, Finborough Theatre
Circa 1820 a British aristocratic couple took in a poor shipwrecked girl because they thought she was a lost exotic princess from a distant kingdom. They introd...
Review: Boxman, Vault Festival
Divorced and abandoned, 'Boxman' sleeps in a box in his living room. His battles with OCD and alcoholism prevent him from living a full life, until he meets Man...
Review: Loren O’Brien: Who?, The Vault
Who is Loren O'Brien? Is she famous? Should we just pretend to know her while we clap excitedly, waiting for her entrance? These questions are asked and answere...
Franciska Éry
Franciska studies a masters in Performance Making at Goldsmiths, University of London. When not performing or directing, she loves watching unconventional theatre, editing short films and making up embarrassing choreographies in her bedroom