Review: The Ferryman, Royal Court
‘It will be 3 hours and 20 minutes with one interval and a short pause’ the staff member warns me as I receive my copy of Jez Butterworth’s The Ferryman. It is ...
Franciska Éry
Review: This Beautiful Future, The Yard
Very rarely does a play give me an increasingly uncomfortable feeling, a growing unrest. Most productions give some signals that allow me to predict their traje...
Review: Who’s Afraid of Virginia Woolf?, Harold Pinter Theatre
Walking into the Harold Pinter Theatre, already one can feel the excitement in the air. Expectations are high. We take our seats, knowing we are about to see a ...
Review: Killer, Shoreditch Town Hall
I walk out of Killer with relief, a huge grin, and a lingering chill down my spine. Above all, I want more, and that's how I know that the play has done its bes...
Review: A Midsummer Night’s Dream, Young Vic
“If we shadows have offended...” says Puck, closing the two-hour long production of A Midsummer Night’s Dream with the well-known epilogue. And while Joe-Hill G...
Review: Wendy House, VAULT Festival
Pulling off a play about emotional abuse in one single, hour-long act, with minimal props and limited space is no small task. Walk The Dog Productions does not ...
Franciska Éry
Franciska studies a masters in Performance Making at Goldsmiths, University of London. When not performing or directing, she loves watching unconventional theatre, editing short films and making up embarrassing choreographies in her bedroom