Review: Ron Arad’s Curtain Call, Roundhouse
Virtual Reality is in vogue: we are presented with numerous opportunities to be surrounded by artificial atmospheres. But if wearing goggles isn't your thing, R...
Franciska Éry
Review: Escape, Blue Elephant Theatre
LCP Dance Theatre's piece, Escape, explores the journey of a refugee through aerial dance and physical theatre, responding to a very current topic. Using aerial...
Review: At the Heart of Everything, Upstairs at the Gatehouse
Nigel (Gareth Cooper) arrives at a failing further education college to replace the Deputy Head of Faculty. He joins board members, a group of peculiar and dysf...
Review: Pop-Up Opera’s Il Barbiere di Siviglia, Thames Tunnel Shaft
Can opera be funny, performed in a tunnel shaft, and be accessible to opera newbies? The answer to all of these is yes, and Pop-up Opera's production of Rossini...
Review: Show Boat, New London Theatre
Show Boat was not the first musical ever made, but it was definitely the first to introduce the form and structure of what we now know as the musical. Based on ...
Review: The Flick, National Theatre
Annie Baker's Pulitzer Prize-winning play The Flick comes to London's National from New York, and it has a lot to say, but perhaps it is taking a bit too long t...
Franciska Éry
Franciska studies a masters in Performance Making at Goldsmiths, University of London. When not performing or directing, she loves watching unconventional theatre, editing short films and making up embarrassing choreographies in her bedroom