Review: Fun Home, The Young Vic
How does one adapt a graphic novel and turn it into a musical? And not just any graphic novel, but a memoir, a personal retelling of graphic novelist Alison Bec...
Franciska Éry
Review: Feel, King’s Head Theatre
Karen meets Nick at a train station. Jamie meets Naomi on a dating app. Feel follows these four characters as they try and fail to connect with each other. And ...
Review: La Traviata, ENO
There are many things that dazzle in Daniel Kramer’s new production of La Traviata: shiny excess, costumes from many different eras and cultures, even a ball pi...
Review: From The House Of The Dead, Royal Opera House
Leoš Janáček’s final opera never promised to be easy listening; based on Dostoevsky’s novel set in a Siberian gulag, the piece might be difficult to digest at f...
Review: Julius Caesar, Bridge Theatre
The first thing you notice about Nicholas Hytner’s Julius Caesar is its atmosphere: we arrive at a political rally, a band playing The White Stripes’ ‘Seven Nat...
Review: The Secret Keeper, Ovalhouse
The Secret Keeper has every trope a fairy tale needs: the archetypes of a young prodigy and greedy parents, a miracle, and human flaws, which lead to an inevita...
Franciska Éry
Franciska studies a masters in Performance Making at Goldsmiths, University of London. When not performing or directing, she loves watching unconventional theatre, editing short films and making up embarrassing choreographies in her bedroom