Review: Terror, Lyric Hammersmith
Terror is undeniably relevant. The recent attacks in Manchester and London mean that the word is all too ready at hand, a default thought, society’s daily fear....
Charlotte Irwin
Review: The English Heart, Etcetera Theatre
Billed as a Brexit-inspired tale, The English Heart seems to focus more on the obsessive power of sex than the political chaos of the last year. Yes, the charac...
Review: Rose Matafeo is Finally Dead, Soho Theatre
Rose Matafeo is far from dead. Bursting out of a coffin singing “It’s my funereeaal”, Matafeo’s frenetic performance starts as it means to go on, without a corp...
Review: Edgar Allen Poe Double Feature, Jack Studio Theatre
Edgar Allan Poe isn't usually one for the faint hearted, and as I waited for the double bill of the king of gothic horror’s dark short stories to start on Thurs...
Review, Common, National Theatre
Common is a little like a medieval Midsomer Murders. The new play written by DC Moore opens with disguised villagers taking the matter of common land into their...
Review: Last Night, Roundhouse
On paper, Last Night is exactly what London theatres should be showing. Celebrating, mourning and mimicking London's diminishing night club culture, the billed ...
Charlotte Irwin
Charlotte has just completed an MA in Magazine Journalism at City, University of London. She now freelances, specialising in arts and culture. When she's not writing she likes to escape London and discover other cultures.