Review: The Mountaintop, Bristol Old Vic
“We've got some difficult days ahead. But it really doesn't matter with me now, because I've been to the mountaintop. So I'm happy, tonight. I'm not worried ab...
Young Vic
Review: Twelfth Night, Young Vic
Kwame Kwei Armah and Oskar Eustis’ Twelfth Night is slick, easy to follow, genuine and (of all qualities to aspire most to in a piece of new work), powerful. It...
Review: The Brothers Size, Young Vic
I was embarrassingly eager to see this, one of Tarell Alvin McCraney's earlier works, on a triumphant return to the Young Vic. McCraney's profile has naturally ...
Feature: 18 Titillating Theatre Productions Taking the Stage in 2018
I get that January is a long, hard, cold month and you’re still catching up with some of the life-changing productions 2017 had to offer (i.e. Hamilton), but it...
Review: How to Win Against History, The Young Vic
The soft-spoken, sequinned, “frilly, frouffy” star of our show, Henry Cyril Paget, is a man done a disservice by history in that he was written out of it. The f...
Feature: Questioning Colourism and Reflecting on Race in Yellowman
Colourism has been widespread in our communities for far too long. Western society’s Eurocentric beauty standards have created a warped hierarchy in which proxi...