Review: Twelfth Night, Young Vic
Kwame Kwei Armah and Oskar Eustis’ Twelfth Night is slick, easy to follow, genuine and (of all qualities to aspire most to in a piece of new work), powerful. It...
Young Vic
Review: The Brothers Size, Young Vic
I was embarrassingly eager to see this, one of Tarell Alvin McCraney's earlier works, on a triumphant return to the Young Vic. McCraney's profile has naturally ...
Feature: 18 Titillating Theatre Productions Taking the Stage in 2018
I get that January is a long, hard, cold month and you’re still catching up with some of the life-changing productions 2017 had to offer (i.e. Hamilton), but it...
Review: How to Win Against History, The Young Vic
The soft-spoken, sequinned, “frilly, frouffy” star of our show, Henry Cyril Paget, is a man done a disservice by history in that he was written out of it. The f...
Feature: Questioning Colourism and Reflecting on Race in Yellowman
Colourism has been widespread in our communities for far too long. Western society’s Eurocentric beauty standards have created a warped hierarchy in which proxi...
Review: The Life of Galileo, Young Vic
The Young Vic’s versatile main space has been transformed yet again; this time we are sitting under designer Lizzie Clachan’s huge white disk, a canvas for proj...