5.0
Review: After Life, The National Theatre
It feels like only yesterday that I wrote of “the National Theatre’s triumphant return” with Death of England: Delroy, performed in the wake of the first lockd...
Tom Gibbons
5.0
5.0
Review: The Doctor, Almeida Theatre
For his final production as The Almeida’s associate director, Robert Icke brings us a “very free” adaptation of doctor-writer Arthur Schnitzel’s play Professor...
Review: Hamlet, Almeida Theatre
Robert Icke’s Hamlet, at Almeida Theatre, has been eagerly anticipated, particularly since the announcement that Andrew Scott would be playing the lead. Ic...
Review: Hedda Gabler, National Theatre
Like a male Shakespearean lead, Hedda Gabler is one of those characters actors use to prove themselves. Nothing wrong with that, as it’s allowed us to see many ...
Review: The Red Barn, National Theatre
The Red Barn is David Hare's new play based on Georges Simenon's novel La Main, a story of crime, jealousy and desire. We are in Connecticut in 1969, and a snow...
Review: The Moderate Soprano, Hampstead Theatre
David Hare’s The Moderate Soprano is, on the surface, a play about the construction (literally and artistically) of Glyndebourne opera house. Within that, it ch...