Review: Alder and Gibb, Unicorn Theatre
It has been a couple of years since Tim Crouch’s Adler and Gibb doused the Royal Court stage with its unfurling question of reality versus art and whether or no...
Rebecca Jones
Review: Ugly Lovely, The Old Red Lion
Back to the trusty Old Red Lion to see it housing what it houses best: new writing. This time produced by Velvet Trumpet, a company whom I have been following q...
Review: The Truth, Wyndham’s Theatre
Florian Zeller is the man of the moment, following the West End, heart-wrenching smash hit that was The Father, and the equally involving The Mother at the Tric...
Review: Wild, Hampstead Theatre
Hampstead Theatre's proscenium is so neat that its stage looks like a television screen: stark, claustrophobic and coaxing. Even more so when that stage is tran...
Review: Richard III, Almeida Theatre
Rupert Goold’s production of Richard III is bookended by the discovery of Richard’s remains in a Leicester car park in 2012. We see the scientific excavation an...
Review: The Taming of the Shrew, Globe Theatre
The Taming of the Shrew is the second in Emma Rice's inaugural 'Wonder' season at the Globe – a season that promises so much. Wonder being the prime promise: a ...
Rebecca Jones
Rebecca studied Acting and English. She is intrigued by theatre and comedy, learning and taking in as much of it as humanly possible: performing, writing for and about it. Rebecca is dedicated to carving out the future of and way into theatre for the younger generations.