5.0
Review: [BLANK], Donmar Warehouse
, new play by powerhouse playwright Alice Birch – and co-production with Clean Break to mark their 40th year - is a gut-punching piece of theatre. The text, ha...
Farah Najib
5.0
4.0
Review: A History of Water in the Middle East, Royal Court
If there’s one thing I’ve taken away from A History of Water in the Middle East, it’s that all lectures should be led by Sabrina Mahfouz and Laura Hanna. With ...
3.0
Review: Femme Fatale, Omnibus Theatre
The premise of Femme Fatale has everything to get my theatrical juices flowing. Two complex, flawed, and not easily likeable female characters meet and forge a...
5.0
Review: Glass. Kill. Bluebeard. Imp., Royal Court Theatre
Caryl Churchill: a legend of British theatre. The kind of playwright whose voice writers all over dream of emanating in some small way, and yet she remains ini...
5.0
Review: The Doctor, Almeida Theatre
For his final production as The Almeida’s associate director, Robert Icke brings us a “very free” adaptation of doctor-writer Arthur Schnitzel’s play Professor...
4.0
Review: PYNEAPPLE/ Teleportation, The Bunker
As I enter the dark space of The Bunker for new theatre festival This is Black, curated by director and writer Steven Kavuma (founder of the Diversity School, ...
Farah Najib
Farah is a graduate of playwriting and applied theatre at the Royal Central School of Speech & Drama. She lives for exciting new writing that says something about the world we’re in today, and if it’s made by women – even better.