Review: Titanium, Peacock Theatre
On coming away from a performance that I struggled to find any positives in, I always feel a sense of guilt, but sadly this is true of the new offering from cho...
Sadlers Wells
Review: Tanztheater Wuppertal Pina Bausch: Auf dem Gebirge, Sadler’s Wells
Choreographed by the late great monolith of contemporary dance, Pina Bausch, Auf dem Gebirge hat man ein Geschrei gehört (On the Mountain a Cry Was Heard) is an...
Review: Equation, Sadler’s Wells
Over the past year, Sadler’s Wells has been running an initiative called =dance (“equal dance”) to promote disabled, deaf and inclusive dance work. Equation is ...
Review: The Show Must Go On, Sadler’s Wells
The Show Must Go On is one of the iconic works of the French choreographer Jérôme Bel where the relationship between art and life is "constantly surprising and ...
Review: Eva Yerbabuena – ¡Ay!, Sadler’s Wells
Passion, anguish and enthrallment, are three sentiments that should reverberate from any flamenco performance and thankfully Eva Yerbabuena’s ¡Ay! ticks many of...
Review: Flamenco Festival London: Gerardo Núñez, Sadler’s Wells
It is difficult to write about a flamenco concert without spewing clichés about the passion, the emotional intensity and the infectious rhythms: I’ll try to kee...