Review: The Winter’s Tale, Royal Opera House
Shakespeare’s The Winter’s Tale is arguably one of the most complex and tricky narratives to convey. However, Christopher Wheeldon’s balletic interpretation com...
Vikki Jane Vile
Review: Double Standards, The Crazy Coqs
It’s easy to be seduced by the cosy Crazy Coqs, a small jazz club nestled inside Brasserie Zedel at Piccadilly Circus. The Crazy Coqs is an intimate venue with ...
Review: My First Ballet: Sleeping Beauty, Peacock Theatre
The My First series is joint venture between English National Ballet and students of the English National Ballet School and is now in its fifth year. This year ...
Review: The Odyssey, Wilton’s Music Hall
After the success of Dracula in 2013, Mark Bruce Company now returns with a similarly grungy telling of The Odyssey. In the programme notes, Bruce himself admit...
Review: Sadler’s Sampled, Sadler’s Wells
Sadler’s Sampled is now a well-established addition to the Sadler’s Wells programme, bringing dance fans young and old, balletomanes and b-boys, into the same w...
Review: Bystanders, Tristan Bates Theatre
Tracey Sinclair’s Bystanders first premiered at the Baron’s Court Theatre in 2011; this new production directed by Jeremy Stockwell has been given a freshen up ...
Vikki Jane Vile
Vikki Jane Vile is a freelance writer specialising in dance, regularly contributing to Dancing Times magazine and LondonDance.com. Her career has included work for London Children’s Ballet and South East Dance in administration and marketing capacities. She has also reported on the annual MOVE IT dance show as their offical blogger and taken part in English National Ballet's writing course, Dance is the Word.