Review: Testament, VAULT Festival
In a simplistic church setting, four chairs and a giant luminous cross at the back, Tristan Bernay’s Testament is an “exploration of the dark underside of The G...
Tal Fox
Review: The Sorrows of Satan, Tristan Bates Theatre
Set in a swanky London flat where the colour scheme seems to be black and grey with a hint of orange, poor and obscure playwright Geoffrey Tempest sets about re...
Review: Glitter Punch, King’s Head Theatre
Glitter Punch isn’t exactly your average teen romance story. It tells the story of boy meets girl, boy and girl fall in love, but as standard as that may sound ...
Review: Salome, Hoxton Hall
The show opens in the 1930s on King Herod’s birthday banquet. “Decadence...beauty...lust...envy...desire. The words of a prophet, a mother’s envy, a stepfath...
Review: Promises Promises, Southwark Playhouse
Promises Promises, is based on the Oscar winning Billy Wilder movie from 1960, The Apartment. In 1968 it received the Broadway treatment with Neil Simon writing...
Review: Why the Whales Came, Ovalhouse
Michael Morpurgo has had a pretty good streak of seeing his books comes to life on stage. Since War Horse galloped onto the West End stage and then a nationwide...
Tal Fox
An aspiring journalist and theatre aficionada. Currently studying MA journalism at City University London. If you want to put a smile on her face, put her in a theatre.