Review: REMOTE LONDON, St George’s Gardens
It’s a busy old place is London, with its dangers and its shelters. One of the key questions at the heart of REMOTE LONDON is whether we’re most at home as indi...
Tom Shore
Review: Homophobe, Kings Head Theatre
Under his moniker, The Queer Historian, performance artist Tommy is here to show us the scars that homophobia leaves, physical and emotional. When Tommy was 15,...
Review: The Fall, Finborough Theatre
It’s always a risk when you try to universally capture the very personal experience of being young, even in a youth production. The Fall by the National Youth T...
Review: Human Emotional Process, Art Theatre London
It all starts at breakneck speed with two lovers clashing fencing foils. Cassandra wants only to marry, move in together and nest. But don’t confuse her for a g...
Review: Unnatural Selection, Theatre N16
The preset for OPIA Theatre Company’s Unnatural Selection makes a rather accurate observational comment on a doctor’s waiting room. Two smartly dressed women si...
Review: Happiness Is A Cup Of Tea, Vault Festival
It's difficult to critique plays that are in any way autobiographical, especially when they’re about grief and loss. But Happiness is a Cup of Tea left me ponde...
Tom Shore
Tom studied English at university, and now works as a school teacher. On the lookout for unexpected and thoughtful theatre, he is keen to reach to all corners of the arts world to find something to tell his students about.