Like the character at the heart of The York Realist, the playwright Peter Gill was also once a young, learning director working on a revival of York’s Mystery P...
As a play and as a performance there are elements of Splendour that I have not seen bettered this year. At the curtain call, I found myself with a reflex-like c...
There are few plays that sit in the genre of gay dramatic literature and stand out as unarguably necessary and canonical, surpassing their temporality and remai...
If Chris Thompson has any nerves ahead of the opening of his first play Carthage at the Finborough Theatre this week, he isn’t showing them. “It’s extremely exc...