4.0
Review: Wilde Without the Boy, The Playground Theatre
What is freedom? Since COVID-19 hit back in March and the majority of us have been in intermittent stages of lockdown, the idea of being ‘free’ has become incr...
Homosexuality
4.0
Review: Slap, Theatre Royal Stratford East
A forceful strike that leaves an aftermath of lingering pain defines the word slap, and is a fitting characterisation of Dominique in Alexis Gregory’s play of t...
Edinburgh Review: Away From Home, Assembly George Square Studios
Football can be a right fickle game. One that not only finds thousands of people despising thousands of others for no other reason than the team they support, b...
Edinburgh Review: Black Faggot, Assembly Roxy
If we’re going to talk about gay rights, we might as well do it as loudly and as obscenely as possible. And that’s exactly what Black Faggot does, but not at...
Edinburgh Review: Hot Cat, Pleasance Courtyard
Perhaps I was disadvantaged in watching this production by having never seen Tennessee Williams’s Cat on a Hot Tin Roof, on which Hot Cat is based. But I person...
Review: Faster, Higher, Stronger, Straighter, Dominion Studio
I unfortunately missed Damien Tracey’s Warde Street, though the excellent reviews he gathered certainly forced me to take notice. Faster, Higher, Stronger, Stra...